Does Anyone Mentor PoC Writers?

As a kidlit author of color I read and hear a lot about diversity and I agree there needs to be more in kidlit. Some of it is that authors of color have given up trying to get in to traditional publishing opting to self publish; I know some who have started their own publishing companies. The efforts I’ve seen for PoC authors has been admirable but what many of us really need is mentoring. We need to know what we may not be doing right, what could make our writing stronger while not diluting the strong messages we want to convey. I know that issue books can turn some agents/editors off but unfortunately those stories define us as much as the non-issue aspects of our lives. Now I am not advocating special treatment but rather a chance to get a foothold in the industry. Not all of us are going to come with that polished manuscript agents covet but we could if we had help. Yes we can read, we can attend conferences, and join online groups but often we are in the minority there and that in itself can be disheartening. Maybe you’d say we should create our own groups but separating ourselves is self defeating if we are to level the playing field. So I ask, where are the mentors for PoC writers? We sure could use some help.

Why Keep Going?

I’m sure that some of you authors-in-training are out there asking yourself this question and it is a legitimate one; especially if you have been chiseling away at your craft, learning the business, reading in your genre, watching Twitter posts and participating in a myriad of workshops, pitch wars and all that is the writing life. And after saying all of this I say, yes, keep going. Why? Well for one I am and here are the reasons.

Because all that information you have been gathering is going to culminate into your ‘ah ha’ moment and then it will all come together. I say that because that is what is beginning to happen to me after plugging away for years. You begin to see a pattern forming. You start to make connections between things. You notice a trend and then you say ‘Oh, so that’s what they meant.’

Now I am going to tell you something that everyone has told you: accept rejection and keep moving. I wrote an earlier post Why I Love My Rejection Letter that may help you get over the sting. At this point I take them in stride and look forward to getting them so that I can take that agent off my Excel spreadsheet and add another one. If you get feedback which unfortunately is rare, cherish that. I save those and try to apply what little morsels they dole out. I always try to thank those agents/editors in particular for taking the time to do that since they are very busy people.

But a pubbed writer and critique partner gave me the best advice: READ, READ, READ. Since I have a full time job and other responsibilites reading is very hard to fit into my schedule so I go to the Overdrive app for my local library and am reading a lot more. Believe me when I say it makes a H-U-G-E difference because you start to notice trends in structure, language and content that you can use in your own work.

Make your book the best you can make it before you send. At first I had issues with that but have learned I really have to take it as far as I can even if I end up being asked to revise it several more times. Be willing to do that work for the sake of the work and the reader. If you value what you do you won’t have any issues with revisions. It’s a win for all involved so be grateful for the suggestions and apply them.

I also suggest you not allow yourself to get discouraged until you have sent out at least 80 queries (and yes there are 80 agents/editors out there for your genre). It’s almost like job hunting – its a numbers game. I use the CWIM and also make sure I check the agency/publisher website in case something has changed. In the latest version Chuck has included some examples of first pages that several different agents critiqued and they all had differing reactions to the books. That was a big eye opener as to how subjective it is; all agents won’t view your book the same way and that is a good thing. It gives you hope that maybe there is one out there that will love it.

I try to research the agent to find out something about them personally and what they tweet, blog about so that I can get to know them before I submit. If I don’t find much I just approach them with the same respect and courtesy I would any new person I meet in business.

If you participate in online pitch wars make sure you work on the pitch in advance and use the most descriptive words you can; don’t be vague – you only get one shot at it (well maybe two in the 8 hr period but you know what I mean). It’s nice to get agent likes and that feels good so consider that a win as well even if you don’t get repped.

Well, I’ve got a conference to attend shortly so hope this advice helped and happy writing!