One thing I have learned, and continue to learn, about putting together a manuscript is that it is not like writing a letter about something that happened to you or someone else. It is structured — whether you intend to do so or not. It has a beginning, middle and end of course, but there is so much more to it.
I’ve read lots of writing books (i.e., Writer’s Digest Great Fiction series, which I highly recommend, and Story Engineering by Larry Brooks) and from what I have ascertained, once the structure is in place, I can relax and just enjoy the writing part.
I was listening to an interview on Twitter with author Jill Santopolo and was happy to hear her co-sign the same approach I have added to my arsenal after reading the aforementioned references: to create the shell, and then fill it in. What does that mean? Well she didn’t say it that way exactly, but in a nutshell, you create an outline of each chapter so you know where you are going. It does not have to explain every little detail, just a basic sentence or two about what needs to happen. Then you can craft the direction you need to take so that you do not forget. Granted, I am a project manager so I am especially fond of clarity, direction and getting there properly — so sue me.
Anyway, here is an example: in James Scott Bell’s book Plot & Structure, he explains the ‘doors of no return.’ These doors are major events that thrust the protagonist forward in the story. Events that cause them to act — whether they want to or not. It’s fascinating reading and it really works! So putting this into practice I can ensure the story has direction, as well as conflict and excitement in all the right places. It’s not easy and I am still a novice at it, but the more I do it, the better my writing becomes.
You must admit, keeping kids’ attention these days is tough, so if you are going to write a kidlit book, it is crucial to use a methodology (uh oh, my PM hat again) that will keep them focusing on your book, not the XBox. 🙂